Εμφάνιση αναρτήσεων με ετικέτα Goshin Jutsu. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Goshin Jutsu. Εμφάνιση όλων των αναρτήσεων

Κυριακή 6 Ιουλίου 2014

Τι είναι το Shugyo


修行

Ο ιαπωνικός όρος "shugyo" μεταφράζεται ως "αυστηρή εκπαίδευση" και φαίνεται να προέρχεται από την εκπαίδευση των σαμουράι κατά την διάρκεια της κυριαρχίας της οικογένειας Tokugawa. Ο τελικός σκοπός είναι να “σφυρηλατηθεί το πνεύμα” και να "αναδομηθεί ο χαρακτήρας” του ασκούμενου, με σκληρή σωματική και πνευματική εκπαίδευση. Είναι ένας τρόπος για να προχωρήσει πέρα από τις φόρμες και να ανακαλύψει νέα όρια, λόγω απουσίας της πραγματικής μάχης.
”Musha shugyo” είναι η εσωτερική αναζήτηση και η περιπλάνηση του πολεμιστή σαμουράι. Ένας πολεμιστής, που ονομάζεται shugyosha, θα περιπλανηθεί, θα εξασκήσει και θα βελτιώσει τις ικανότητες του, χωρίς την προστασία του οικείου περιβάλλοντός του. Πιθανές δραστηριότητες περιλαμβάνουν την συμμετοχή του σε άλλες τέχνες ή σχολές ή και σε μονομαχίες που εκτελεί ως σωματοφύλακας ή μισθοφόρος. Πολλοί άλλοι πολιτισμοί είχαν αντίστοιχη εκδοχή για τους ελίτ πολεμιστές τους. Δυστυχώς στον σύγχρονο δυτικό πολιτισμό το shugyo έχει σχεδόν χαθεί.
Το aikido απαιτεί φυσική και πνευματική πειθαρχία και shugyo είναι η κατάσταση του νου όπου αυτά τα δύο πράγματα είναι σε αρμονία. Δεν είναι εύκολο πράγμα να επιτευχθεί. Όμως δεν μπορεί να υπάρξει εξέλιξη στο aikido χωρίς την κατανόηση του shugyo. Ένας τρόπος για να φανταστεί κανείς το shugyo είναι να εμβαθύνει στις τέσσερις βασικές αρχές του aikido.
Μέσω του shugyo μπορεί να καθαρίσει το μυαλό μας και να επικεντρωθεί εξ ολοκλήρου στην παρούσα στιγμή. Ταυτόχρονα, πρέπει να είμαστε πρόθυμοι να αποδεχθούμε πλήρως ό,τι συμβαίνει και να ανταποκριθούμε άμεσα και χωρίς δισταγμό. Με καθαρή σκέψη και διατηρώντας την συγκέντρωση μας δημιουργούμε τις συνθήκες όπου το σώμα και το πνεύμα μπορούν να ενοποιηθούν.
Το shugyo είναι μία από τις μεγαλύτερες προκλήσεις στο aikido, το οποίο εμβαθύνεται μόνο με καθημερινή προσπάθεια και διαλογισμό.
Ο Morihei Ueshiba είπε ότι η επίτευξη αυτού του είδους της αρμονίας απαιτεί συνεχή πρακτική και αταλάντευτη προσπάθεια και λέει ότι “η ενοποίηση του σώματος και του πνεύματος μέσα από την τέχνη της ειρήνης είναι μια υπέρτατη κατάσταση, τόσο υψηλή και ευχάριστη που φέρνει δάκρυα χαράς στα μάτια σας".

修行

Παρασκευή 1 Μαρτίου 2013

What is Aikido?

All over the world people used to fight with sword, spears and other weapons. When they had no weapons at hand, they boxed or wrestled. These techniques of fighting were almost the same all over the world until the invention of guns. The use of guns for fighting completely changed the way wars were fought. The Portuguese imported guns into Japan in 1543. The Japanese quickly started to make guns for themselves. Around 1590 guns were being used for fighting in wars and were proving to be more efficient than traditional weapons. The use of guns was still limited because of limited fabrication.
About 1600 Japan was dominated by the Tokugawa clan who succeeded in creating a system of domination by samurai. In order to stabilize their dominance, the production and use of guns was prohibited along with communication with the outside world. This gave an opportunity to develop fighting methods without the use of guns for approximately 250 years whilst, in Europe, guns were developed as the main weapon of fighting.
After 1800 Europeans started to colonize China. Europeans were not initially interested in Japan since it was small in comparison to China. The United States also wanted to participate in the colonization of China and planned to use Japan as a port before arriving in China. Around 1860 the US navy came to Japan and forced her to give them a port as their territory. Since European countries also wanted to use Japan as a port Japan was in danger of being colonized just like China. Japan decided to create a strong army in order to defend itself from the US and Europe. The use of the sword was prohibited and the army began to use guns.

Samurai clans, that kept the tradition of sword techniques, were unhappy with the ban and tried to preserve the practice. One way was to convert the traditions to a sport. This resulted in judo, kendo and later karate. University students supported these sporting types of martial arts. The martial arts that did not want to follow the sport way were called kobudo or jujitsu. One of the jujitsu was called Daitoryu Jujitsu and this is the technical basis of aikido. It is important to note that judo and karate techniques are derived from martial arts that do not use sword. That is why karate includes stick but not sword techniques. Kendo was based on sword techniques but became a sporting way. Daitoryu Jujitsu was created by someone who was good with sword techniques. He developed techniques without weapon using his ability of using the swords. Daitoryu Jujitsu techniques are therefore very different from judo or karate techniques while rather similar to kendo techniques.

As the techniques of Daitoryu Jujitsu were practiced the original sword basis were forgotten in favour of an emphasis to street fighting. After World War II, there was a general idea that Japan should not fight and people should have neither guns nor sword. People began to think more of how street fights would be fought without weapons or maybe just with a stick or a knife. This situation gave birth to the new name of Aikido. The idea of aikido was to control a situation without fighting. This mentality corresponded to the tendency in US and Europe after 1960 and aikido started to get supported philosophically. The idea of resolving a conflict without fighting became a part of the philosophy of aikido.

This led to the idea of self-defence. What is self-defence? There is no difference between attack and defence. When one does certain actions toward the other, it is called attack. When the other does the same thing, it is called defence. Defence is permitted only when one is attacked. If the attack comes without a weapon, it is possible to wait until the attack comes and then do something about it. However if the attack is done with a gun or another highly developed weapon, it is almost impossible to defend oneself after the attack has started. One would have to shoot before being shot.

The question of knowing the intention of others now becomes important. If a person has a gun in his hand, a policeman will doubt his intention and will immediately demand him to drop his gun and put both hands up. If it is dark what should the policemen do? A policeman might be obliged to shoot before the possibility of being shot. The question would then arise as to whether the policeman correctly judged the situation or not.

It is more complicated if the attack and defence is between two countries. If a country is attacked but doesn’t know who attacked her then the country might assume that the attack is done by an enemy country and start to attack in the name of defence. Between two human beings, this would be called revenge and prohibited by law. Since the government punishes criminals, victims do not have to resort to revenge. Since there is no authority above two countries revenge is permitted. It is not easy to distinguish between revenge and defence. The whole problem comes because the act of attack, revenge, and defence are the same. It is only a matter of interpretation.

In aikido it is possible to create a completely new philosophy. Aikido does not have to be a self-defence. Defence is the same as attack. Aikido is a way to create a situation where it is difficult to attack. If an attack does not happen, defence is not necessary. I think this is the only way for peace.


Doshu 

 http://www.ki-society.org.uk/articles/aikido.shtml

Κυριακή 29 Απριλίου 2012

Οι επτά πιέτες (πτυχώσεις) της hakama

H hakama έχει επτά βαθιές πτυχώσεις, δύο στο πίσω μέρος και πέντε στο μπροστινό μέρος. Οι πιέτες, αναφέρονται στις επτά αρετές του Bushido, που θεωρούνται ουσιαστικής σημασίας για τους σαμουράι. Αν και φαίνεται ισορροπημένη η διάταξη των μπροστινών πτυχώσεων (τρεις στα δεξιά και δύο στα αριστερά) εντούτοις είναι ασύμμετρη και αποτελεί ένα παράδειγμα της ασυμμετρίας στην ιαπωνική αισθητική.

Οι επτά αρετές:   
Chu: πίστη
Ko:
ευσέβεια
Jin:
φιλανθρωπία, συμπόνια
Gi: τιμή ή δικαιοσύνη
Rei:
σεβασμός, ευγένεια και ευπρέπεια

Chi: σοφία, εξυπνάδα
Shin: ειλικρίνεια


Οι πέντε πιέτες στο μπροστινό μέρος είναι οι πέντε αρετές Gotoku, της ιαπωνικής παραδοσιακής κοινωνίας (οι πέντε πρώτες αρετές). Όλες μαζί αντιπροσωπεύουν την ολοκλήρωση του ανθρώπου.

Κυριακή 6 Δεκεμβρίου 2009

Goshin Jutsu (Kodokan )

The Kodokan Goshin Jutsu was created in 1956 by a Kodokan working group to update the older kata with more modern forms of self-defense. It also shows the influence of Kenji Tomiki, one of Professor Kano's students, who also studied Aikido under the founder of Aikido. It consists of 21 techniques against an unarmed, as well as armed, attacker. It is divided into two unarmed sets (toshu no bu) and three sets with weapons (buki no bu). The first seven techniques are against an attack close in. The next five are against attacks from strikes and kicks. Then there are three attacks with a knife, three with a stick and three with a gun. The techniques here cannot be used in free exercise practice or in competition, but only in kata. Never-the-less, as one practices this kata, the attack speed increases and one's reflexes and reactions sharpen to meet the attack. Eventually, this kata can be practiced with real weapons. The intent in this kata is different than with normal Judo practice, in that this is a self-defense kata, the intent on the part of both participants is to hurt the other. While the actions are controlled, so that the attacker is not hurt, the defender's actions can easily be modified to disable the attacker. It is important to realize that all of the techniques in this kata are consistant with the principles of "Judo", the way of gentleness or yielding.

Unarmed Close-in Attacks by Holding

Ryote dori - two hand hold Ryote Dori

Stepping forward with the left foot, the attacker grabs both wrists and attempts a right knee kick to the groin. Defender avoids the kick by stepping back with the left foot, forces his right hand against attacker's weak thumb releasing the grip, and continues his motion into a right knife edge strike to the temple. Defender then uses the right hand to grab the attacker's right wrist from the top and twists to the right, and ends with an armlock and wrist lock forcing the attacker to submit or have his arm broken.


Hidari eri dori - left lapel holdHidari-eri-dori

Using the right hand the attacker grabs the left lapel and pushes defender back while stepping forward with the right foot. Defender holds attacker's hand with his left hand as he steps back with his left foot, pulling attacker off balance, and strikes attacker's eyes with the back of his right hand. He immediately grabs the attacker's right wrist from the top with his right hand, placing his left hand on the attacker's right elbow and stepping back with the right foot. He ends the attack by forcing the attacker to the ground with a wrist and elbow joint lock, controlling his body with his left knee.


Migi eri dori - right lapel hold Migi eri dori

As attacker grabs across to the right lapel and pulls defender forward by stepping back with his left foot, defender steps forward with the right foot and delivers a right uppercut to the chin of the attacker. He then grabs the wrist with the left hand from the top, steps back with the left foot, adds the right hand, and turns forcing the attacker to be thrown with the wrist lock.


Kata ude dori - single hand holdKata ude dori

Attacker approaches from the right rear and grabs the right arm lifting defender to his toes and attempts to take defender with him. As they walk, defender delivers a right kick to the left knee and uses the unbalance position of the defender to apply the armlock to the right arm forcing submission.


Ushiro eri dori - back collar holdUshiro eri dori

As they are walking forward the attacker grabs collar from behind, steps back with the left foot, and pulls. Defender turns and blocks the arm with his left hand and delivers a punch to the solar plexus with the right hand using the turning motion. He then applies the ude gatame armlock, forcing the attacker's elbow down.


Ushiro jime - rear chokeUshiro Jime

Attacker puts his right arm around the defender's neck from the rear to apply hadaka jime. Defender tucks in his chin and pulls the arm down from his throat. He then steps forward with the right foot, turns to the left ducking under the choke, forcing attacker's arm into the te gatame armlock with his right hand on the attacker's elbow and left hand grasping the wrist.


Kakae dori - rear seizureKakae Dori

Attacker steps forward with his right foot and grasps the body and arms from behind as in a bear hug. Defender counters by raising shoulders and arms and simultaneously stomping on attacker's foot with a forceful downward kick. This causes attacker to release grip. Defender then turns to the right to grab the right wrist with his left hand, bringing the right arm up behind the elbow pushing attacker's arm into a forceful throw which is applied by continuing the turning motion.


Unarmed Attack at a Distance

Naname uchi - slanting strikeNaname uchi

Advancing with his right foot attacker attempts to strike the left side of defender's head with his right hand. Strike is parried by stepping outside attacker's right foot with the left and turning to the right pushing the arm down as it misses it's target. It is countered with a right uppercut to the chin and a throat grab forcing attacker off balance backwards as defender applies right osotogari to the attacker's rear.


Ago tsuki - uppercutAgo tsuki

Attacker attempts a right uppercut that is parried by defender as he steps back with his left foot. Attacker's arm motion is redirected by grabbing the wrist with the blocking right hand. The left hand applies pressure against his elbow upward as the wrist is pulled down and defender steps forward with the left foot pushing on the elbow and wrist to throw by this action.


Gammen tsuki - thrust punch or jabGammen tsuki

Attacker steps forward with his left foot and punches the face with the left fist. The punch is again parried as defender steps forward with the right foot and a counter attack is made by a punch to attacker's floating ribs. Defender then applies a rear choke (hadaka jime) with the right arm forcing submission or unconsciousness.


Mae geri - front kickMae Geri

Defender parries a right kick by turning the body to the right and stepping back with the right foot. He then grabs the foot of attacker's raised leg with both hands, twisting the ankle, breaking it, and then forcing attacker backward and down.


Yoko geri - side kickYoko geri

Walking towards each other, attacker attempts a side kick as he passes defender, who parries the kick, turns and pulls attacker down onto his back dropping onto his left knee. While this technique in the kata looks harmless enough, in actuality, the defender would leave his right knee in place behind the attacker so that he falls with his lower back on the knee, which would no doubt break the attacker's back.

Armed Attack - Knife

Tsukkake - close in thrustTsukkake

As attacker steps back with his right foot and turns his body to withdraw knife, which is hidden from defender's view, defender steps in with the right foot, grabs the left elbow with the right hand, and blinds attacker with a left backhand to the eyes. Defender grabs the left wrist and twists it away to raise the elbow as the right hand applies pressure on the elbow. Attacker is taken down by application of pressure to the elbow.


Choku zuki - straight thrustChoku zuki

Attacker steps forward with the left foot, takes out a dagger with his right hand then steps forward with his right foot and attempts a lunge with the knife. Defender steps forward with the left foot turning to the right and grabs the attacking arm at the elbow with the left hand. At the same time defender strikes above the nose with a punch. Defender grabs the right wrist from below with the right hand, turns and applies an armlock (waki gatame) to the arm with the knife forcing submission or a broken elbow.


Naname zuki - slanting stabNaname zuki

Attacker steps forward with his left foot, takes out a dagger with his right hand and attempts a downward stab to the chest as he steps forward with the right foot. Defender steps back with his right foot, turns to the right, parries by grabbing the right wrist from the top with the left hand. Using both hands on the wrist, defender controls the wrist and arm up into a throw or takedown (kote gaeshi). He then locks the arm (ude garame) and takes the knife away and holds it against attacker's throat. Variations of this technique, force attacker to cut his own throat while being thrown.


Armed Attack - Stick

Furiage - upswing against a stickFuriage

Attacker steps back with his right foot, raises the stick with the right hand preparing to deliver a blow. As attacker brings the stick back to strike, defender steps in, blocking the attacking arm with the left hand, delivering a palm strike to the chin and throwing attacker backward with right osotogari.


Furioroshi - downswing against a stickFurioroshi

Attacker steps forward with his right foot, raises the stick with the right hand and attempts to strike the left side of defender's head. Stick is avoided by a turning action and stepping back with the right foot. Defender immediately steps in with a left backfist strike to the bridge of the nose. He then controls the stick, steps in again with the left foot behind the attakcer and strikes again below the nose with the knife edge of his hand forcing the attacker down.


Morote zuke - two hand thrustMorote zuke

Attacker thrusts stick to abdomen stepping forward with the left foot. Defender steps forward with the right foot, turns to the left and parries with the right hand. He then grabs the stick from the top with the left hand and pulls attacker forward and steps in to grab the stick between the attacker's hands with the right hand. The right arm is placed against the back of the attacker's left elbow applying pressure forwards. Attacker not wanting to let go of the stick, pulls back and defender steps forward throwing attacker with his own stick.

Armed Attack - Gun

Shomen zuke - pistol held to abdomenShomen zuke

Attacker steps forward with his right foot and holds gun against abdomen, says te o age (or hands up), and searches for wallet with other hand. Defender raises hands slowly, watching attacker's eyes, and at the key moment, turns to the right stepping forward with the left foot. Defender grabs the gun with his left hand, thumb on top, and his wrist with the right hand from the top, forcing it to the side and up into attacker's armpit and a release of the weapon. Defender then strikes attacker with weapon.


Koshi gamae - pistol at sideKoshi gamae

Attacker approaches with his left foot. Pistol is held away from defender towards the side aimed at the stomach and the defender raises his hands after the command of te o age (or hands up). As attacker reaches for wallet, defender turns, grabs the gun from the top with the right hand, forces it to point away, and with the aid of the other hand, forces gun up and pulls it away to the right. Attacker's finger is locked into the trigger guard and is broken off. Defender ends the attack with an upward strike to the chin of the attacker with the gun. See the video.


Haimen zuke - pistol against the backHaimen zuke

Attacker steps forward with the right foot. As gun is placed against the back as the attacker says te o age (or hands up). The defender glances to see what arm is raised. As attacker reaches for wallet, defender turns to the right, drops the right hand under the gun hand, raising it up to lock the gun arm against his chest. He then grabs the gun with other hand disarming attacker and striking him with it or applying kote gaeshi to throw him.

By http://judoinfo.com/katagosh.htm